Sigurd Bergmann's Curriculum Vitae
Background: Norwegian Painter and Graphic Artist
- Born: February 11th, 1930
- Died: October 22nd, 2022
Artistic Mediums:
- Watercolor
- Crayon
- Monochrome
- Oil Paintings
- Graphic Art
Artistic Style:
- Known for graphic artistry with mythological motifs.
- Oil paintings celebrated natural beauty.
- Watercolour works noted for a naturalistic style and emotional depth.
Influences and Interests:
- Inspired by Picasso, Rembrandt, Van Gogh, Asian art and culture.
- Extensive reading in philosophy and art, including Plato and Socrates.
- Passion for classical music and jazz.
Professional Milestones:
- Exhibited in Norway and internationally.
- Works held in collections like the National Museum of Art, Oslo; Rasmus Meyers Collection, Bergen; Museum of Contemporary Art Kiasma, Helsinki.
- Commissioned for public artworks globally.
- Known for "The Big Light," a graphic design artwork that marked a career turning point.
Legacy:
- Recognized for exploring themes of spirituality, nature, and the human condition.
- Left an enduring legacy in the art world, focusing more on creation than commercial success.
For more detailed information, please visit Sigurd Bergmann's About Page
Beyond the Brushstroke: Sigurd Bergmann's Legacy vs. Superficial Abstract Art
Introduction:
In an age where the essence of true art risks being diluted by superficial attempts at creativity, the legacy of Sigurd Bergmann stands as a beacon of authenticity and depth. His approach to abstract art transcends mere aesthetic appeal, offering a stark contrast to some modern artists who seem to prioritise commercial success over genuine expression.
Sigurd Bergmann: A True Artist’s Journey Through Abstract:
Sigurd Bergmann’s relationship with abstract art was profound and personal. Emerging from the grim shadows of war, his journey through abstract painting was a path of self-discovery and healing. Each canvas was a battlefield where he wrestled with his inner demons and emerged with poignant compositions that spoke volumes.
Modern Abstract Art: A Question of Depth:
Contrastingly, the modern art scene occasionally witnesses artists whose creations lack the soulful journey of their predecessors. While abstract art is inherently subjective, some contemporary works seem to be a mere play of colors and shapes, lacking the emotional depth and narrative that artists like Bergmann brought to their creations.
The Commercialisation of Abstract Art:
In today's art market, there's a growing trend where the value of art is often equated with its price tag, leading some artists to produce works that are more about market appeal than artistic integrity. The rush to create the next big thing has, in some cases, led to a churn of abstract works that lack the transformative power seen in the works of artists like Bergmann.
Sigurd’s Art: A Therapeutic Odyssey:
For Sigurd, abstract painting was a gateway to his soul. It was a way to process the trauma of war, the complexities of his emotions, and his profound observations of life. His abstract works were not just paintings; they were the chapters of a life lived intensely, each stroke a testament to his journey from darkness to light.
The Superficiality in Some Contemporary Abstract Art:
Conversely, the question arises: Do all contemporary abstract artists embark on a similarly introspective journey? Unfortunately, in some cases, the answer is no. The rush to produce something visually striking without the underpinnings of personal exploration has led to a proliferation of abstract art that lacks authenticity and depth.
The Importance of Emotional Resonance in Art:
Art, especially abstract art, should stir something within the observer. It should be a conversation without words, an emotional resonance that connects the artist and the viewer. Bergmann’s work achieves this beautifully, inviting viewers into his world, whereas some modern abstract pieces may leave the audience disconnected, searching in vain for meaning amidst haphazard brushstrokes.
Critiquing the 'Anything Goes' Attitude:
The 'anything goes' attitude in certain quarters of the modern art scene risks undermining the integrity of abstract art. This approach, where random strokes are deemed masterpieces without a deeper narrative or emotional connection, does a disservice to the rich legacy of abstract art.
Conclusion: Sigurd Bergmann’s Enduring Influence:
Sigurd Bergmann’s approach to abstract art reminds us that true art is not just about what is visible on the canvas but what it evokes in the heart. His work challenges both artists and art lovers to seek deeper meaning in abstract compositions. As we navigate the evolving landscape of modern art, let us not forget the profound impact of artists like Bergmann, who remind us of the power of art to heal, communicate, and profoundly move the human spirit.
Sigurd Bergmann: A World in Absolute Color
Introduction:
In the realm of art, where colors speak louder than words, Sigurd Bergmann stood as a titan, his palette rich with the rare gift of absolute color vision. This unique ability set him apart, allowing him to see and recreate the world with an accuracy and vibrancy that few could match.
Understanding Absolute Color Vision:
Absolute color vision, often referred to as "perfect color vision," is an extraordinary sensory ability. It allows individuals to perceive colors in their purest form, unaffected by variations in lighting or context. Unlike the average person, who might see different shades of a color under various lighting conditions, someone with absolute color vision sees the true color consistently.
Sigurd Bergmann's Colorful Genius:
For Sigurd, this meant a world where every hue held a distinct identity. His canvases were more than mere representations; they were a journey into the very essence of color. This rare gift enabled him to capture the subtlest shades of the Norwegian landscape - from the deep blues of the fjords to the ethereal greens of the aurora borealis.
Artistic Implications of Absolute Color Vision:
Sigurd's absolute color vision was not just about seeing colors more vividly. It was about understanding and translating the emotional and symbolic language of colors. He could convey moods and atmospheres in his art with unparalleled precision, making his work deeply resonant and emotionally impactful.
The Legacy of Sigurd Bergmann's Vision:
Sigurd's art became a testament to the power of color. His paintings were a symphony of hues, each note perfectly placed, each chord resonating with the viewer. In a world often dulled by repetition and conformity, his work reminded us of the vividness and variety life offers.
Conclusion:
Sigurd Bergmann's journey with absolute color vision was not just a personal triumph but a beacon for the art world. It highlighted the importance of embracing unique perspectives and the extraordinary ways in which they can enrich our understanding of beauty. Sigurd's legacy, colored by his exceptional vision, continues to inspire artists and art lovers alike, reminding us of the infinite possibilities that lie in the way we see our world.
Sigurd Bergmann and the Unprecedented Government Guarantee
Let me take you back to the 1970s, a transformative era for Sigurd Bergmann, an artist whose creative pulse beat in harmony with the rugged landscapes of Norway. Sigurd, a man whose life was as vibrant as his canvases, found himself at a crossroads where art and sustenance intersected. In a bold move, unprecedented in its time, the Norwegian government extended a hand of support to this master of colors, offering him a guaranteed salary — an affirmation of his invaluable contribution to the nation’s cultural heritage.
This guarantee wasn't just financial security; it was a testament to the trust and belief in the power of art to reflect and shape society's consciousness. Sigurd, who emerged from the shadows of the Second World War, had witnessed firsthand the resilience of the human spirit. His experiences, etched onto his canvases, spoke of pain and beauty, despair and hope, chaos and tranquility. It was this profound authenticity that caught the eye of the government, compelling them to preserve and nurture his talent.
But why did Sigurd, amongst many, receive such an honor? To understand this, we must delve into his journey, one that began in the quaint town of Ørsta, where the innocence of childhood intertwined with the simplicity of the 1930s. Sigurd's path was not one of deliberate pursuit but rather a series of fortuitous encounters and life's serendipitous twists that led him to embrace his true calling.
In the post-war era, while Norway rebuilt itself, Sigurd rebuilt his identity, transitioning from a soldier to a sorcerer of the canvas. His art was not confined to the traditional boundaries but was an exploration of human experience itself. As Norway sought to redefine its cultural narrative, Sigurd's art became a beacon of progressive thought and emotional depth.
The government's guarantee in 1977 was not merely a financial arrangement but a partnership, an investment in the cultural future of Norway. Sigurd’s dedication to his craft was unwavering, and so was the nation's commitment to fostering an environment where art could flourish. This act of support underscored a societal understanding that the arts are as crucial to national identity as any industry or natural resource.
Sigurd's legacy, bolstered by this unique support, has been an inspiration to many. It stands as a message that creativity and cultural contributions are invaluable assets, deserving of recognition and nurture. The guaranteed salary allowed Sigurd to delve deeper into his artistic endeavors without the shackles of financial uncertainty. It was a period marked by prolific creation, where Sigurd's canvases became more daring, his colors more vivid, and his subjects more introspective.
This era of guaranteed support also ushered in a wave of public interest in Sigurd's work. Exhibitions became gatherings where art enthusiasts and curious onlookers alike could immerse themselves in the emotional landscapes that Sigurd so skillfully portrayed. His paintings, a blend of abstract and realistic elements, became a language through which he communicated his innermost thoughts and feelings about the world around him.
The 1970s also witnessed Sigurd exploring new artistic frontiers. He experimented with different mediums and techniques, further solidifying his reputation as a versatile and innovative artist. The Norwegian landscape, with its majestic mountains, deep fjords, and mystical northern lights, continued to be a significant source of inspiration for Sigurd. His paintings from this period are a testament to his deep connection with nature and his ability to translate its essence onto the canvas.
Sigurd's relationship with the Norwegian government was more than just a financial arrangement; it was a symbol of the nation's commitment to preserving and promoting its cultural heritage. This support played a crucial role in allowing Sigurd to focus solely on his art, contributing significantly to his development as an artist and the evolution of Norwegian art.
As we look back at Sigurd Bergmann's journey, it's clear that his story is not just about a talented artist but about a nation's recognition of the importance of art in shaping its cultural identity. The guaranteed salary from the government was a rare honor, bestowed upon a man whose life and work continue to inspire and captivate. Sigurd's legacy, supported by this unique gesture, remains a shining example of the power of art to transcend boundaries and touch the human soul.
In the end, Sigurd Bergmann's story is a reminder of the profound impact that art can have on a society and the importance of nurturing and supporting the creative spirits that have the power to enlighten, challenge, and transform us.
Sigurd Bergmann's Artistic Legacy
A Journey Through Time and Canvas
Sigurd Bergmann's legacy is a testament to a life dedicated to the pursuit of artistic excellence. Born in the serene town of Ørsta in 1930, Bergmann's journey from a young, curious mind to a revered artist is marked by a series of formative experiences and education that sculpted his future.
A Foundation in Drawing and Typography
Trained under the watchful eyes of Jarle and Olav Strømme, Bergmann honed his skills in drawing, laying the foundation for his future endeavors. His typographic training at The Norwegian Institute of Technology further enhanced his appreciation for form and structure, elements that would become significant in his later works.
The Scholarly Pursuit
Bergmann's quest for knowledge led him to the vibrant cities of Oslo and Stockholm, where he immersed himself in the craft schools' rigorous programs. His university studies in art history deepened his understanding of the artistic heritage that preceded him, providing a context for his own evolving style.
A Traveler's Palette
Study trips across Europe's artistic hotspots, including Denmark, Sweden, the Faroe Islands, Germany, Austria, Switzerland, France, Italy, and Spain, broadened Bergmann's horizons. Each country, with its unique cultural and artistic landscape, contributed to the richness of Bergmann's palette, influencing his art's diverse character.
The Exhibit Trailblazer
Bergmann's works graced numerous collective exhibitions, both at home in Norway and internationally, showcasing the universal appeal of his art. His recurring presence at the National Autumn Exhibition underscored his status as a mainstay of the Norwegian art scene.
The Solo Exhibitions - A Chronology of Artistry
- Modum Art Association - 1974
- Stavanger Art Association - 1976
- Listaskalanum Torshavn, Faroe Islands - 1978
- Stavanger Municipality's District Committee - 1978
- Ørsta Art Team - 1980
- Heggenes Picture Gallery - 1982
- Sandefjord Art Association - 1984
- Gallery Skallum, Oslo - 1985
- Ørsta Art Team - 1985
- Rakkestad Art Association - 1987
- Gallery Marie, Halden - 1987
- Tåsen District Committee - 1984
- Gallery Norwa, Stavanger - 1989
- Gallery Tyr, Asker - 1989
- Valldal Art Team - 1991
- Oslo Spectrum - 1993
- Oslo Spectrum - 1994
- Gallery Galøren - 1995
A Global Touch
Sigurd Bergmann's works have found homes across the globe, from Denmark to the USA, and are proudly displayed in the National Museum of the Faroe Islands. His international presence is a testament to his art's ability to transcend cultural and geographical boundaries.
Conclusion
Sigurd Bergmann's life was a canvas filled with the hues of his travels, the contours of his education, and the strokes of his innate talent. Each exhibition, a chapter; each artwork, a story. As we celebrate his legacy, we are reminded of the indelible impact one artist can make on the world's vast and varied art landscape.
Join us in honoring the illustrious career of Sigurd Bergmann, a beacon of inspiration for artists everywhere. Explore his world and let the colors of his life's work inspire you at https://www.sigurdbergmann.com.
Sigurd Bergmann – A Goalkeeper's Artistic Journey
The Intersection of Football and Art in Sigurd Bergmann's Life
Sigurd Bergmann, renowned for his vivid and imaginative art, had a multifaceted personality that extended beyond his canvas. A lesser-known yet significant aspect of his life was his passion for football, particularly his early experiences as a goalkeeper for a local team in Ørsta.
From the Football Field to the Artist's Studio
Bergmann's journey as a goalkeeper began in his teenage years. At just 16, he played for the first team in Sykkylven, showcasing notable skill and dedication. This early experience in sports not only shaped his physical agility but also honed his mental resilience and strategic thinking—qualities that later permeated his artistic work.
The Artistic Lens of a Footballer
Sigurd Bergmann's art was deeply influenced by his experiences on the football field. The agility and dynamism he exhibited as a goalkeeper found echoes in the bold strokes and vibrant colors of his paintings. His ability to anticipate moves on the field translated into a profound understanding of spatial dynamics in his art.
A Goalkeeper's Vision
Sigurd's time as a goalkeeper contributed significantly to his unique artistic vision. The football field was a canvas where he learned about movement, rhythm, and the interplay of forces—concepts that became central themes in his paintings. The goalkeeper's perspective of overseeing the entire field helped develop his ability to view the broader picture, a skill evident in his expansive landscape works.
Passion for Grandson's Football Journey
Sigurd's love for football extended beyond his own experiences, deeply rooting in the football journey of his grandson, Patrick Bergmann. Sigurd took immense pride and interest in Patrick's football career across Europe, showcasing a familial bond strengthened through a shared love for the sport. His support and enthusiasm for his grandson's achievements offered a glimpse into the tender and nurturing aspect of the artist's personality.
The Legacy of a Sporting Artist
Sigurd Bergmann's dual passion for art and football symbolizes the versatility of the human spirit. His life reminds us that our hobbies and early interests shape our perspectives and skills in profound ways. As a goalkeeper and an artist, Sigurd demonstrated that the beauty of life lies in its diverse experiences.
Conclusion
Sigurd Bergmann’s life journey from a football field in Ørsta to the distinguished art studios reflects an extraordinary synthesis of sports and art. His story is a testament to the interconnectedness of our passions and how they weave together to create the tapestry of our lives. As we delve into his paintings, we can't help but see the reflections of a goalkeeper who once guarded the posts with as much zeal as he later wielded his paintbrush.
Sigurd Bergmann's Canvas of Journeys: European Inspirations in His Art
Introduction:
Renowned artist Sigurd Bergmann, celebrated for his vivid landscapes and the iconic Signature Bird, was a traveler at heart. His artistic journey took him across the diverse landscapes of Europe, where he absorbed the essence of each country's culture and scenery. This blog post explores how Bergmann’s travels, especially to Italy, Spain, the Faroe Islands, and his native Norway, profoundly influenced his artistic creations.
Italy – A Romance with Light and Color:
Bergmann's time in Italy left an indelible mark on his work. He was captivated by the interplay of light and shadow in the Italian countryside and the vibrant life in its cities. His Italian-inspired pieces are a testament to this fascination, showcasing the warm hues of Tuscan fields, the Venetian channels and the lively atmosphere of Roman streets.
Spain – The Vibrancy and Passion:
In Spain, Bergmann found inspiration in the country's rich cultural heritage and passionate spirit. The bold colors and dynamic forms in his Spanish-themed works reflect the energy of flamenco dancers, the stark beauty of the landscapes, and the intricate details of Moorish architecture.
The Faroe Islands – A Mystical Connection:
The rugged, mystical landscapes of the Faroe Islands captivated Bergmann with their raw, untouched beauty. His paintings inspired by these islands often feature dramatic seascapes and moody skies, conveying the profound sense of solitude and introspection he found there.
Norway – The Heart of His Art:
Despite his travels, Bergmann's heart remained firmly rooted in the landscapes of Norway. His Norwegian pieces are imbued with a deep love and understanding of his homeland, from the serene fjords to the majestic mountains and the ever-changing northern lights.
Conclusion:
Sigurd Bergmann's art was a journey in itself, each piece a stop along his path through Europe. His travels enriched his palette, broadened his perspectives, and deepened his connection with the world – all of which are vividly reflected in his diverse body of work.
Explore More:
To journey through Sigurd Bergmann's European inspirations and see how they translated onto his canvas, visit [BergmannArt](http://sigurdbergmann.com/bergmannart). Join us in exploring the world through the eyes of an artist who not only painted landscapes but lived and breathed them in his travels.
Sigurd Bergmann: Navigating the Labyrinth of Mind and Art
Introduction:
In the intricate tapestry of the art world, few stories are as compelling as that of Sigurd Bergmann. Known for his enchanting landscapes, enigmatic graphics and the iconic Signature Bird, Bergmann's journey transcends the conventional boundaries of an artist. This blog post explores the depths of Bergmann's emotional and psychological odyssey, revealing how his art became not just an expression, but a form of therapy, a sanctuary for his complex emotions.
The Artist's Inner World:
Bergmann's art was a conduit for his innermost thoughts and feelings. His spontaneous forays into nature, often lasting hours or even a whole day, were reflective retreats where he grappled with his inner self. These weren't mere physical journeys; they were deep dives into his psyche, where he faced and embraced his emotions, channeling them into his art.
Psychotherapy and Artistic Expression:
Psychotherapy played a pivotal role in Bergmann's life. It was a journey of self-discovery and confrontation, allowing him to unravel and understand the labyrinthine complexities of his mind. The insights gained from these sessions profoundly influenced his artistic expression. His paintings became a canvas for his emotions, each stroke a testament to his struggles and revelations.
Emotions Translated onto Canvas:
For Bergmann, painting was more than a passion; it was a therapeutic process. His canvases were the pages where he penned his emotional narrative. The tumultuous skies, the serene landscapes, the vibrant yet sometimes somber hues were all manifestations of his psychological state. His art was his solace, a place where he could lay bare his vulnerabilities and triumphs.
The Impact of Dementia:
The onset of dementia in 2014 was a turning point in Sigurd Bergmann's life, bringing a significant shift in his artistic journey. While this period was marked by an increasing blend of confusion and a loss of clarity, it also raised questions about the continuation of his art. Rumors of a mysterious painting created in 2020 linger, adding an intriguing layer to his legacy. However, it's generally believed that after 2014, Bergmann's active engagement with art significantly diminished. The period following 2014 is thus reflective of a gradual retreat from the world he once vividly captured on canvas.
The Enduring Influence of Art:
In the wake of his dementia diagnosis, Bergmann's relationship with art underwent a poignant transformation. While it's understood that his active creation of art ceased post-2014, the influence of his artistic journey continued to echo in his life. Art for Bergmann, especially in retrospection, became a testament to his resilience and passion. The legacy of his works, created prior to 2014, stood as a silent yet profound testament to a mind that once wove intricate tales of beauty, complexity, and emotion through the medium of paint.
Conclusion:
Sigurd Bergmann's life was a rich tapestry woven with the threads of art, emotion, and psychology. His story is one of an artist who not only painted landscapes but also charted the complex terrain of his mind. His paintings are more than visual masterpieces; they are a narrative of his psychological and emotional journey, offering a window into the soul of a man who found in art a refuge, a therapy, and a voice.
Explore More:
Immerse yourself in the profound world of Sigurd Bergmann at (https://www.sigurdbergmann.com/bergmannart). Discover the paintings that emerged from a life of introspection and emotional exploration, each piece telling a story of resilience, therapy, and the indomitable spirit of creativity.
Sigurd Bergmann: The War That Shaped an Artist's Vision
Introduction:
In the world of art, the life experiences of an artist often deeply influence their creative expressions. For Sigurd Bergmann, a notable figure in the realm of painting, the tumultuous period of World War II played a pivotal role in shaping his artistic vision. This blog post delves into how Bergmann's experiences during the war years imprinted on his art, transforming pain and chaos into profound and moving expressions on canvas.
The Impact of War:
The Second World War, a time marked by unprecedented upheaval, left an indelible mark on young Sigurd Bergmann. Experiencing the war as a child, Bergmann witnessed the devastation and despair that it brought. The air raids, the sound of sirens, and the fear of the unknown became a part of his psyche, profoundly affecting his outlook on life and, subsequently, his art.
Art as a Reflection of Experience:
Bergmann's paintings from this era often depict scenes that resonate with the chaos and emotional turmoil of war. Stark contrasts in his use of color, turbulent skies, and landscapes that seem to echo the sound of distant bombings are recurrent themes. His art from this period is not just a window into the world as he saw it but also a mirror reflecting the internal tumult he experienced.
A Journey from Darkness to Light:
Despite the horrors he witnessed, Bergmann's art is not solely focused on despair. Instead, his work often portrays a journey from darkness to light, a testament to the resilience and enduring hope of the human spirit. His ability to find beauty amidst devastation, to transform fear into art, speaks volumes about his strength as an artist and as an individual.
Conclusion:
Sigurd Bergmann's wartime experiences are an essential key to understanding his art. They reveal an artist who not only witnessed history but also used his canvas to comment on it. Bergmann's paintings from this era are powerful reminders of the impact of war on individuals and societies and the potential of art to heal and transcend the darkest of times.
Explore More:
To see how Sigurd Bergmann transformed his wartime experiences into stunning works of art, visit https://www.sigurdbergmann.com/bergmannart. Journey through his collections and discover a world where every brushstroke tells a story of resilience, hope, and the transformative power of art.
Sigurd Bergmann: From Magic Shows to Art Shows
Introduction:
Renowned for his breathtaking landscapes and the Signature Bird, Sigurd Bergmann's artistic journey was interwoven with an intriguing chapter of magic. While widely celebrated for his paintings, Bergmann's early foray into the world of magic reveals a multi-dimensional artist. This blog post explores Bergmann's transition from performing magic to mastering the art of painting, a transformation that marked a significant turn in his creative life.
The Early Magic Career:
Sigurd Bergmann's fascination with magic began in his youth, with performances that showcased his flair for illusion and entertainment. His magic acts, which he began at the age of 12, evolved into professional-level performances, captivating audiences with his skill and creativity.
A Shift in Focus:
In the late 1950s, Bergmann's journey took a pivotal turn as he enrolled in art school in Stockholm. This period marked the end of his magic performances, as he shifted his focus entirely to developing his artistic skills. The world of colors, brushes, and canvases opened new avenues for his creative expression, leading him away from the stage of magic to the studio of art.
Magic in Private Moments:
Though his public magic performances ceased, the magic never truly left Bergmann. To his beloved grandson, he was still a magician at heart, often performing simple card tricks and discreetly slipping a 500 Norwegian Krone bill into his pocket. These private moments of magic, shared in the warmth of family, remained a cherished memory for his grandson, reflecting a personal side of Bergmann that was as enchanting as his paintings.
Conclusion:
Sigurd Bergmann's artistic legacy, enriched by his early magic career, illustrates the diverse talents and interests that shaped his life. His journey from magic to art is a testament to his evolving creative spirit, leaving a legacy that is as multifaceted as it is profound.
Explore More:
Discover more about Sigurd Bergmann's captivating life at https://www.sigurdbergmann.com/bergmannart. Delve into the stories of his early magic days and how they subtly influenced his later works in art, painting a picture of a man whose life was a canvas of varied and vivid experiences.
The Enigmatic World of Sigurd Bergmann: A Family Perspective
Introduction:
Sigurd Bergmann, a name that resonates deeply in the realms of art and creativity, led a life that was as intricate and enigmatic as his paintings. Known for his mesmerizing landscapes and the iconic graphics, Bergmann's life story paints a complex picture of a man torn between his artistic genius and his role as a family man.
The Artist's Paradox:
Sigurd's life was a canvas of contrasts. His dedication to art was unwavering, often leading him into the woods for long hours, immersed in nature and his thoughts. This commitment to his craft meant that he was frequently absent from family life, an absence that was deeply felt by his immediate family.
A Different Experience for Different Family Members:
While Sigurd was known to be distant and often absent in his children's lives, his relationship with his grandchildren, particularly Patrick, was markedly different. For Patrick, Sigurd was not just a grandfather but a hero and the biggest fan of his football journey. This contrast highlights the multifaceted nature of Sigurd's personality - distant to some, yet profoundly supportive to others.
The Final Years - A Mysterious Turn:
Sigurd's battle with dementia from 2013 onwards added another layer to his complex persona. The disease, brutal in its progression, stripped him of the ability to recognize close family members, including his own son. Yet, intriguingly, he always recognized Patrick, his football-playing grandson. This selective memory retention adds a layer of mystery and poignancy to Sigurd's final years. Rumors of a last painting created in 2020, despite his declining health, continue to add to the enigma of Sigurd Bergmann.
Conclusion:
Sigurd Bergmann's life story is a testament to the complexities that often lie behind a genius. His journey as an artist was interwoven with his roles as a father, husband, and grandfather, each painted with different strokes of presence, absence, love, and detachment. In exploring the depths of Sigurd's life, one cannot help but marvel at the intricate tapestry of relationships and experiences that defined him, both as an artist and a family man.
Explore More:
Delve deeper into the life and art of Sigurd Bergmann at https://www.sigurdbergmann.com/bergmannart. Join us in unraveling the mysteries and celebrating the legacy of a man who was as complex and fascinating in his personal life as he was in his art.
The Enigma of Sigurd Bergmann's Final Years: Art, Memory, and Mystery
Introduction:
Sigurd Bergmann, a luminary in the art world, known for his vibrant landscapes and the evocative Signature Bird, faced the twilight of his career and life with the onset of dementia in 2013. This blog post delves into the poignant and mysterious final chapter of Bergmann's life, exploring the intersection of his fading memories and enduring artistic spirit.
The Onset of Dementia:
In 2013, Bergmann began showing signs of dementia, a condition that gradually veiled his rich past and intricate relationships. The once-clear memories began to blur, altering his perception of the world and people around him. Despite this, his connection to art remained a beacon of clarity in the fog of his fading memory.
The Mystery of His Last Painting:
Bergmann’s last known painting was completed in 2014, or so it was believed. Rumors and whispers in the art community suggest the existence of one final masterpiece created in 2020, shrouded in mystery and intrigue. This curious possibility opens a window to the resilience of Bergmann's creative soul, even as dementia clouded his cognitive abilities.
A Son’s Reflection:
For me, Patrick, Sigurd Bergmann's grandson and a passionate football player, these years brought a mix of sorrow and awe. My father, Sigurd Bergmann, experienced the bittersweet moments of caring for him. Sigurd, in his lucid moments, would speak of a kind stranger who helped him, unaware that it was his own son. This poignant mix-up of identities highlighted the complex nature of memory and recognition affected by dementia. - Jeffrey Bergmann (Son of Sigurd Bergmann, father of Patrick Bergmann).
Recognizing the Football Player:
Amidst the confusion, one constant remained – Sigurd always recognized me. Whether it was the shared passion for football or a deeper, unspoken bond, our connection transcended the barriers of his condition. This recognition was a source of comfort and a testament to the enduring power of familial love. - Patrick Bergmann (Owner of BergmannArt).
Conclusion:
Sigurd Bergmann's journey through dementia was a path marked by shadows and light, confusion and clarity, loss and discovery. As we reflect on his life and legacy, we are reminded of the enduring power of art and the unbreakable bonds of family. The mystery of his rumored final painting in 2020 remains a beacon of hope and a symbol of the indomitable spirit of creativity.
Discover More:
To explore the enigmatic and inspiring world of Sigurd Bergmann, visit https://www.sigurdbergmann.com/bergmannart. Join us in unraveling the mysteries and celebrating the legacy of an artist whose life and work continue to captivate and inspire.
The Rhythmic Canvas: Sigurd Bergmann’s Musical Inspirations from Jazz to Classical
Introduction:
Art and music share a profound connection, each weaving its own tapestry of emotions and stories. For the esteemed artist Sigurd Bergmann, this connection was not just theoretical but a vital part of his creative process. Bergmann, known for his vivid landscapes and the iconic Signature Bird, often found his muse in the rich and diverse realms of music, ranging from the soulful rhythms of jazz to the grand symphonies of classical music.
Jazz: A Source of Spontaneous Creativity:
Sigurd Bergmann’s studio resonated with the sounds of jazz greats like Benny Goodman and the Big Band Jazz Orchestra. The improvisational nature of jazz, with its unexpected turns and lively rhythms, mirrored Bergmann’s approach to painting. Just as a jazz musician explores new melodies, Bergmann let his brush wander freely across the canvas, each stroke a spontaneous reaction to the notes that filled his space. The vibrancy and energy of jazz infused his work, bringing a dynamic and rhythmic quality to his paintings.
Classical Music: The Depth of Emotion and Structure:
In contrast to the lively beats of jazz, Bergmann also found inspiration in the structured yet emotionally rich compositions of classical maestros like Schubert, Haydn, Beethoven, Mozart, and the operatic grandeur of Wagner. These musical pieces offered a sense of depth and grandiosity, echoing through the layers of paint and emotion on his canvas. The complexity and emotional range of classical music allowed Bergmann to delve deeper into his artistic visions, translating the powerful crescendos and delicate minuets into visual form.
The Influence of Opera: A Theatrical Flair:
Bergmann’s love for opera, especially the works of Wagner, brought a dramatic and theatrical element to his art. Opera, a blend of music, drama, and visual spectacle, inspired Bergmann to infuse his work with a sense of narrative and drama. Each painting told a story, much like an operatic performance, with characters, emotions, and settings intertwining to create a captivating visual tale.
Conclusion:
Music was not just a background element for Sigurd Bergmann; it was a collaborative partner in his creative process. The genres of jazz and classical music, along with the theatricality of opera, played significant roles in shaping the mood, tone, and direction of his artwork. Bergmann’s studio, filled with the sounds of these diverse musical genres, was a place where visual art and music danced together, creating masterpieces that were as rhythmic and melodious as they were visually stunning.
Explore Bergmann's World:
To experience the fusion of Sigurd Bergmann’s art with his musical inspirations, visit https://www.sigurdbergmann.com/bergmannart. Discover how music breathes life into his paintings and how each piece sings its own unique song.
Unraveling the Mystique of Sigurd Bergmann's Signature Bird: A Symbol in His Artistic Universe
Sigurd Bergmann's artistry is a testament to his profound connection with the natural world and his exploration of existential themes. Among the motifs that recurrently grace his canvases, the Signature Bird stands as a poignant symbol, weaving a narrative of freedom, introspection, and a deep philosophical understanding of life.
Introduction:
In the world of contemporary art, certain motifs stand out, resonating with deep symbolism and personal significance for the artist. One such recurring theme in the works of the renowned Norwegian artist, Sigurd Bergmann, is the ‘Signature Bird’. This motif has captivated art enthusiasts and critics alike, becoming a hallmark of Bergmann's unique artistic language. In this blog post, we delve into the reasons behind Bergmann’s frequent portrayal of this avian figure and its profound implications in his art.
The Essence of the Signature Bird:
Sigurd Bergmann's Signature Bird is not just a repeated element; it’s a powerful symbol that threads through his extensive body of work. Representing more than just a bird, it is a conduit for expressing Bergmann’s philosophical contemplations, his deep connection with nature, and his perspective on freedom and transcendence.
1. A Connection with Nature:
Bergmann's upbringing in the serene and rugged landscapes of Norway profoundly influenced his artistic vision. His Signature Bird is often seen as an embodiment of the natural world's untamed beauty and mystery. By frequently incorporating this bird into his landscapes, Bergmann creates a bridge between the viewer and the natural world, inviting us to explore the deeper connections we share with our environment.
2. Symbol of Freedom and Escape:
In many cultures, birds are seen as symbols of freedom, unbound by earthly constraints. For Bergmann, the bird represents an escape from the mundane, a spirit soaring beyond the horizon of the ordinary. This theme of liberation is a response to the artist’s own desire for creative and personal freedom, reflecting his journey beyond the confines of conventional art forms.
3. Messenger of Philosophical Ideas:
The Signature Bird in Bergmann’s works often appears contemplative or in motion, symbolizing the artist's philosophical musings. It embodies themes of existentialism, the search for meaning, and the transient nature of life. Each appearance of the bird invites viewers to reflect on these profound concepts, making it a silent yet powerful communicator of Bergmann’s thoughts.
4. A Personal Totem:
For Bergmann, the Signature Bird also holds a personal significance, acting as a totem that guides his artistic journey. This recurring element can be interpreted as a personal signature, a stamp that makes each piece unmistakably his. It’s a thread that connects different periods and styles in his career, showcasing the evolution of his artistic narrative.
Conclusion:
Sigurd Bergmann’s Signature Bird is more than a motif; it’s a multi-layered symbol that encapsulates his artistic ethos. It invites viewers to embark on a journey of discovery, not just into the depths of Bergmann’s art, but into their own perceptions of nature, freedom, and existence. Through this emblem, Bergmann continues to speak to us, transcending the boundaries of time and space, just like the birds that glide seamlessly through the skies in his paintings.
Explore More:
To delve deeper into the world of Sigurd Bergmann and his Signature Bird, visit https://www.sigurdbergmann.com/bergmannart. Join us in exploring the legacy of a man who painted not just with colors, but with his heart and soul.
Sigurd Bergmann’s stamp has made it to Saturn’s moon called Titan!
Join us on a trip to Titan!
Send your signature and greeting via letter or the Internet to Aftenposten, and you will be <<joined>> on the space journey to Saturn's moon Titan for free.
ROLF L LARSEN
So far, over 4,000 Aftenposten readers have booked themselves on the trip via the newspaper's Internet service: Aftenposten Interactive. The names and greetings from all these Norwegians are now in the process of being loaded on board on a CD-ROM disc which will be with the European space probe Huygens to Saturn's moon Titan. When the space probe lands on Titan on 27th November year 2004, these Aftenposten readers will be among approximately one million Earthlings who are expected to be on the journey to Titan
Write the letter greeting
There has also been a great demand to join the space journey from those who do not have the Internet. As a special New Year's greeting, Aftenposten and the European space organization EBA therefore offer everyone who wants to send a signature or greeting to Titan to also do this per letter.
The letter greeting can contain a maximum of 60 letters, and it can be filled in by adding clipping fields. Remember that the space between the words also counts as a letter. Readers can make a copy of the clipping field or create their own greeting on a letterhead, but then it must not be larger than 3 x 8 centimetres!
Put the signature and greeting in an envelope and send it to: AFTENPOSTEN, Akersgt. 51, Box 1178 Sentrum, 0107 Oslo
Mark the envelope: TITAN. The letter offer is provisionally valid until mid-February. At the same time, it will still be possible to send your signature or greeting via Aftenposten Interactive: http://www.aftenposten.no/ spesial/saturn/
Departs October 6
All the signatures from Aftenposten, whether they are sent via letter or the Internet, are collected at the European space organization ESA's headquarters in Paris. ESA will ensure that your greeting, along with all the others from all over Europe, is burned into a CD-ROM disc. In March, this will be flown to the US space base at Cape Canaveral, Florida, USA.
Here, during the spring, the final preparation of the two space probes Huygens, the landing craft, and Cassini, the mother craft, which will be launched on the seven-year space journey to Saturn and Titan, begins. The two space probes take off from Cape Canaveral on 6 October 2014.
“Sigurd Bergmann art exhibited at Kunsthuset”
“Ørsta Kunstlag has received five prints and two watercolors by artist Sigurd Bergmann
Sigurd Bergmann lived in Ørsta until he was 16, and now lives in Oslo. He has participated in the autumn exhibition several times and held a number of solo exhibitions. Recently he gave his cousin Randi Bergmann Hansen a collection of pictures and suggested that she could pass on some of them to Ørsta kunstlag.
Ørsta kunstlag accepted seven of the pictures. These will now be on display in the art house in the future. Some of them will be sold to raise money for the art society, as requested by Bergmann.
"We are very happy to receive such a gift. It's a recognition for us. The fact that these are great values and that we are free to sell them to generate income for the art society is an important statement of support. For us, it's also nice to be able to showcase the pictures and know that someone who moved from the village so many years ago still has strong ties to Ørsta," says Stina Aasen Lødemel, day-to-day manager of Ørsta Kunstlag.
Randi Bergmann Hansen and Stina Aasen Lødemel showcase some of Sigurd Bergmann's paintings. They will be on display at Kunsthuset in the future.”
Source: Møre Nytt, 14th February 2009
“Sigurd Bergmann with exhibition in Ørsta”
“Sigurd Bergmann (50) opens an exhibition in Svendsen Garden on Thursday. Both graphics and watercolors are included in the exhibition. Sigurd Bergmann was born in Ørsta, but now lives in Oslo. He trained as a painter and graphic artist at art and craft schools in both Norway and Sweden.
Bergmann is characterized as an artist with a great need for insight and recognition. In addition to his art education, he has also studied art history at university. He has also made study trips to Sweden, Denmark, the Faroe Islands, Germany, Austria, Switzerland, France, Italy and Spain.
Sigurd Bergmann has had a number of solo exhibitions around the country. He has also participated in several collective exhibitions. He is represented in collections both in Norway and abroad. He has participated in the Norwegian National Autumn Exhibition on several occasions. Bergmann is an artist with voting rights and has had the state's guaranteed income since 1977.
The exhibition in Ørsta includes both watercolors and graphics. Traditionally, Bergmann's relationship to nature is strongly evident in his watercolors. And it is primarily the nature of Western Norway and the coastal landscape here that he is interested in. His graphic works have themes and motifs from Greek mythology, while in the background one can sense the lines all the way to our time, man's place in the universe and the world around us.
The exhibition In Svendsen-garden is open until Monday, May 26”
(Tuesday May 13, 1980)
Ørsta Kunstlag:
“Volda-ørsting exhibits graphics and watercolors
Sigurd Bergmann, who has a father from Ørsta and a mother from Volda, is rather little known as a picture creator here in our district, even though he is very productive and has received plenty of praise for his work.
From Thursday 15 May until Friday 23 May, we will have the opportunity to see a nice selection of watercolors and graphics from his hand, and we must believe that many will find their way to Ørsta Kunstlag's premises in Mellegarden where the exhibition is held.
Sigurd Bergmann, who is now 50 years old, was born in Ørsta but has settled in Oslo. He trained as a painter and graphic artist at art and craft schools both here in Norway and in Sweden and has studied art history at the university and has been on study trips to Germany, Austria, Switzerland, France, Italy and Spain. His paintings have been included in the Norwegian Autumn Exhibition several times, and are represented in collections of paintings both in Norway and abroad.”
Source: Møre 7
Tuesday, May 13, 1980
“Words to You”
“The past is beautiful
And reality is painful
I can see a living, moving future!
Don’t be so sad
In spring Flowers blooming
In summer Warm and warm
In fall Leaves are falling
In winter Is it snowing ?
Your winter it’s cold but
the warm summer will come again..
After crossing the mountains and passing the lake
There is the ocean that will wash away your suffering
Just wait!
And have courage
There is light in your gaze
Your heart is warm until you lose”
(Poem to Sigurd Bergmann from Zhun Ge 17th August 1976, Korea)
“My friendship with the Bergmann family in Ørsta from 1929 and into the 1930s.”
“In 1929 I made a good friend in Ørsta, Harald Bergmann, and at the same time I got to know his parents and most of his siblings. A significant factor in connection with this acquaintance was probably that I was absent from home from the summer of 1929 to the fall of 1930, when I started at Volda gymnasium. I had graduated from high school in the spring of 1929 and turned 17 in August that year.
Harald's father, Sigurd Bergmann, a book printer, and his wife Sofie (born Thoresen), came to Ørsta from Ålesund in the mid-1920s with several of their children. [Author's Note: That’s Sigurd Bergmann senior, Sigurd Bergmann's (born in 1930) grandfather also named Sigurd Bergmann.] Bergmann started publishing a new newspaper called "Ørsta Avis", and most of his sons were eventually employed by their father as typographers or apprentices. Sigurd Bergmann was born in Ørsta. He was the son of Ørsta's first newspaper owner, Johan Ludvig Bergmann, who published "Søndmøre Avis" for many years. He was married to Henriette Moen. Sigurd Bergmann's younger brother Thorleif first followed in his father's footsteps and continued to publish "Søndmøre Avis", which he later called "Sunnmøre Avis". But it was closed down in the early 1920s, so Ørsta was without a local press for a short time, until Sigurd Bergmann, as mentioned, started publishing "Ørsta Avis".
I knew the Bergmann family before my special friendship with Harald took place. The print shop for "Ørsta Avis" was first established in a small rented room that belonged to my father, Arne Svendsen Clausen. But soon the print shop moved to larger premises in the former "Helseheimen". The building was large, and Sigurd Bergmann and wife also got an apartment there together with the adults and unmarried members of the family and those who were still schoolchildren.
In 1929 and the next year I got to know Harald's brothers: Arnor (married to Elfrida Åmås), Johan (married to Aslaug Engeset), Reidar, Tor and Bernhard (Benna) who were still in primary school. I had also met their eldest brother Øivind (married to Anna Olsen), who at the time lived in Ålesund with his family, and Mrs. Dagny Heen who had the apartment in Ørsta. She was married to steward Leonhard Heen (he was killed at sea during World War II). The youngest daughter Solveig also lived with her parents. Mrs. Gunbjørg Værnes, married to parish priest Ragnar Olav Værnes, visited Ørsta from time to time, and I also visited her. The eldest of Sofie and Sigurd Bergmann's children, Mrs. Bergljot Klauseth, who lived in Kristiansand and was married to factory owner Kaspar Klauseth, was the only member of the family I did not meet.
In the following I will give an account of my friendship with Harald and those of his brothers who were to have the greatest impact on my development in the latter half of my teenage years.
I can't answer exactly what prompted my friendship with Harald today. It was probably a coincidence. I just remember the two of us and his brother Tor, who was a couple of years older than me, playing Indians over in Holmane. Harald was an adult for his age, and at the age of 15 he had already been selected for training for an intended football match that year, which became a reality when the football team that had been founded the year before made its debut at the end of August 1929 against Volda Fotballklubb. Harald played forward. It was a big loss, but within a couple of years Ørsta Idrettslag's football club came back stronger. Harald and his brothers Arnor and Reidar would play a significant role for the football club in the years to come. Later, his youngest brother Bernhard (Benna) also joined. In athletics, Harald, Arnor and Tor were outstanding athletes. In the 1930s, Harald became junior circuit champion in short put and senior circuit champion in javelin (later county championship). After World War II, Benna became nationally known as a weightlifter with Norwegian championships in both the junior and senior classes (1946-47) and a bronze medal in the Nordic Championships (1948). The latter achievement was accomplished in an injured state. A great deal has been written in "Ørsta 1.L. 50 years" (1928-1978), including the Bergmann brothers' achievements in football and athletics, and about Benna in weightlifting. As far as I know, there has been no other family in Ørsta where as many as 5 brothers have made such a strong contribution in sports, including football, as the Bergmann brothers.
It was mainly in the years 1929-1933 that the Bergmann brothers came to play a major role for me. I formed a close friendship with Harald and eventually especially with the brothers Tor and Reidar. Arnor and Johan also became my friends. As you know, they were all very interested in sports, and in the first year we met as often as possible on the road below the print shop during the lunch break at 12-13 o'clock, where we played marbles and jumped long jumps. I, who had been very strongly affected by asthma for many years,was encouraged to take part in training, mostly privately in the evenings. There was also some football, but only training as far as I was concerned. One summer, probably in 1930, I even joined and trained with the B-team 1 football club in Ørsta, but that was it. As far as I can remember, I never became a member of Ørsta Idrettslag. But my interest in physical activity, encouraged by the Bergmann brothers, was aroused, and I believe this was a decisive factor in my greatly improved health during these important developmental years. During my time with Harald and his brothers, I gradually got rid of my asthma, and by 1932 I was cured. At that time I was attending high school in Volda. But we were fed on weekends.
In 1929-30, but also later, in the evenings we used to hang out in the print shop premises, where we discussed and also engaged in physical activities. The premises were quite large; there was a gymnastic pole and the older brothers taught Harald and me both boxing and dancing. Reidar, who was 8 years older than me (and 10 years older than Harald) took care of us a lot and I perceived him as a caring "big brother". Otherwise, Harald and I were very close friends who could go to each other at any time with almost any problem that arose in our teens, and the two-year age difference didn't matter to either of us. Music also came into the picture. Reidar played the mandolin and Harald was very musical. He could whistle difficult pieces of music cleanly. The family also had a nice radio that we listened to in the evenings. In my dealings with the Bergmann brothers, there was never any alcohol. The manner was consistently healthy throughout the years.
When I went to Oslo in 1933 to start studying pharmacy, I was probably physically separated from my friends, but we met during the holidays, and then everything was fine. The printing company had moved to new premises that same year.
Eventually Harald's brothers left Ørsta, and almost immediately after the outbreak of war in 1940, it was he, Tor and Benna who returned. Johan and his family first traveled to Sykkylven, where he started his own printing company, then to Moss, where he was employed by "Moss Avis". He was later employed by the newspaper "Nordlys" in Tromsø. Arnor also moved to Sykkylven with his family, where he ran an axide printing company and printed "Sykkylvsbladet", among other things. Reidar moved to Alesund. He married Sigrid Didriksen, and later set up a printing company in Spjelkavik. It has developed considerably. Tor married Ingrid Øvregård and first went to Spjelkavik, where he set up his own printing company. Later he traveled to Vennesla and established a printing company there. He ran this for many years, but now lives in Sandefjord in retirement. Bernhard is married to Magny Serheim. They live in 1 erata.
"Ørsta Avis" went into operation in the autumn of 1940, and from New Year 1941 Harald took over the print shop as a newspaper printer from his father. That same year he married Ragnhild Barstad. He ran the print shop in Ørsta until recent years, when his eldest son Stig took over. Stig is now carrying on the Bergmann tradition as a 4th generation printer. His wife Hanna (née Hesthagen) is his skilled employee. They have several children. Ragnhild and Harald's daughter Kristin was educated at the University of Glasgow. She was married to Peter Gray. They had 3 children. She later moved back to Norway and is now employed as Head of Human Resources in Ørsta municipality. The youngest of Ragnhild and Harald's children, Harald Johan, is an information manager in the Industrial Guard in Oslo. He is married to assistant professor Sidsel Scheyen. They have one child.
Finally, I would like to give the following general characterization of my acquaintance and friendship with the members of the Bergmann family in Ørsta, whom I got to know from 1929 and into the 1930s:
Letterpress printer and newspaper owner Sigurd Bergmann and his wife Sofie were two exceptionally fine people, who allowed their children to be educated. The two of them also cared for the friends of their large flock of children. It was a painful loss for the family when Mrs. Sofie Bergmann passed away in 1933. Both she and Sigurd Bergmann have a memorable place with a strong anchor in my consciousness. Sigurd Bergmann died in 1957.
Arnor was very close to me in many ways, because he had a considerable ability to encourage me to engage in physical exercise, even if the results were modest. But this small-scale physical activity had a major impact on my health. I also appreciated Johan very much. He had a naturally amiable nature and always showed me great kindness. These two brothers have now passed away. Reidar was the family psychologist and became Harald's and my educator to an adult, positive youth life. He somehow transformed us from the teenage mentality while we still belonged to that category and into the adult world, always with a brotherly hand. I had and still have the utmost respect for him. Tor also gained a particularly strong position in my consciousness. Among other things, he taught me to become interested in physical exercise. Tor was a very good friend, protective, friendly and faithful. Like several of his brothers, he was an outstanding athlete. Bernhard, or Benna as they called him, was very young in 1929. But as mentioned above, he later became the country's leading weightlifter in the heavyweight class. He was an extremely likeable young man. The charming Solveig and her fiancé at the time and later husband, factory owner
Anton Eiken, should be mentioned. They always showed me good friendship. My friend Harald has always been particularly close to me because, together with his brothers and his family, he gave me back the spark of life after many years as an asthmatic and thus in very poor health. His wife Ragnhild has also been Elses and my good friend together with Harald. Many of Sofie and Sigurd Bergmann's children and their relatives are now dead. Age takes its toll, and that applies to all of us.
I did not get to know some members of the Bergmann family, including those who married into the family, whom I have not mentioned in detail in this account, in the years 1929-1933, or in the years immediately following. But I would like to state that no other family besides my own has had such a great and strong influence on my life and development in my early youth as the Bergmann family. Therefore, each of you will always have a respectful place in my consciousness, where gratitude and love are included.
Your friend
Ole G. Clausen
Hosle, March 29, 1989.
Ole G. Clausen professor, dr.philos. Benedikts vei 11, 1347 Hosle.”